In 1935, Paul Nash observed that Edward McKnight Kauffer (1890–1954) was responsible for the change in attitude towards commercial art in this country. An American, Kauffer arrived in England in 1914 during a period of European study. He liked it and decided to stay, enabled to do so by his remarkable ability to design posters.
In 1915 Frank Pick commissioned him to produce the first of what became a remarkable stream of some 140 posters for London Transport. Hugely impressed by Vorticism, Kauffer became a friend and ally of Wyndham Lewis and introduced the Modernist sensibility into commercial art. Paul Nash commented, ‘It was the courage and aesthetic integrity shown in his early battles with the “plain business man” that made it possible for Kauffer to advance and eventually consolidate his position.’ Perhaps his outsider status as an American helped him to disregard established traditions and pursue a radical path; certainly he was responsible for some of the most powerful graphic design of the century.
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