In 1965 Andy Warhol set out to record 24 one-hour audio cassettes focused on one of his ‘superstars’, the actor known as Ondine. The recordings later became a, A Novel, a Joycean distillation of a day in the life. Four typists, two of them teenagers, transcribed the cassettes verbatim – everything they heard on their headphones, every word, cough, gurgle, screech of chair or clink of glass. In his memoir POPism, Warhol mentions ‘two little high school girls’ who typed up his recordings. ‘The typists’ mistakes are all part of the process… that’s what makes it real.’
This is the inspiration for Nicole Flattery’s blade-sharp coming-of-age debut novel, Nothing Special. The narrator is Mae, dropping out of school, seizing the chance to escape a deadeningly drab home life: alcoholic mother, a future without hope. The virginal 17-year-old takes refuge in crowds, riding the escalators at Macy’s, floating free of the real world, shoplifting, hoping to pick up men.
Get Britain's best politics newsletters
Register to get The Spectator's insight and opinion straight to your inbox. You can then read two free articles each week.
Already a subscriber? Log in
Comments
Join the debate for just $5 for 3 months
Be part of the conversation with other Spectator readers by getting your first three months for $5.
UNLOCK ACCESS Just $5 for 3 monthsAlready a subscriber? Log in