A.J. Goldmann

Inside the Ecuadorian embassy with Julian Assange: Risk reviewed

‘This film would not have been possible without the following encryption tools,’ is one of the least expected film credits I can think of. But then again, Laura Poitras’s Risk is not exactly your run-of-the-mill documentary. After her Oscar-winning Citizenfour, a gripping hour-by-hour account of Edward Snowden’s NSA surveillance disclosures from his Hong Kong hotel room, Poitras’s latest is an intimate portrait of WikiLeaks founder and editor-in-chief Julian Assange.

Poitras started filming Assange at work in 2010 and her film follows the whistleblower’s mission and his various legal travails since then. As a result, Risk is far less dramatically sensational than Citizenfour, which unfolds over the course of several history-making days. Since so much of the material in Risk was shot before Poitras met Snowden (in 2013), it often feels like a prequel to Citizenfour. It is also a much more conventional documentary, with a clear message (‘Free Assange!’).

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