Sara Maitland

Infuriating brilliance

A.L. Kennedy's prose makes you forget all her faults

issue 06 August 2011

A.L. Kennedy is a very remarkable writer. And her new novel — the first since Day won the Costa prize in 2007 — is a remarkable book. What is really extraordinary about it is that at one level it is a pretty trite love story with dark secrets to be revealed and lots of reflection on truth and lies and how the past lingers on and affects the present — bog-standard stuff. The basic set-up is somewhat improbable, and (as always with Kennedy) somewhat elliptical, even evasive.

Elizabeth, the protagonist, is crossing the Atlantic on a cruise ship with her boyfriend who may or may not be planning to marry her. Also on the ship, by design it transpires, is her ex-lover who is an internationally famous medium and with whom she worked in the past on what she has come to see as a massive con act. Luckily for her, Derek, the worthy present partner, is hideously sea-sick, allowing her to re-involve herself with Arthur and her own memories.

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