My German grandmother never understood the point of pantomime. She’d lived in England for more than half her life, spoke English like a native (actually, a good deal better) and had a sound appreciation of English humour, from Lewis Carroll to The Good Life. However, she was happy to admit that the panto bug had completely passed her by. She knew that pantomime was the one art form that was indefatigably British, and that no foreigner could ever hope to decipher it. Of course she was absolutely right. No other entertainment sums up our innate Euroscepticism quite like panto. And no British Christmas is complete without a chorus of ‘Oh, no you’re not!’ or ‘He’s behind you!’
That’s not to say, though, that we actually enjoy it. Traditionally, a trip to the pantomime was a lot like brandy butter or cold turkey — a Yuletide ‘treat’ to be endured with stoic grace.
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