Simon Hoggart

In your dreams

Two self-directed films this week, and that is usually a bad sign.

issue 28 May 2011

Two self-directed films this week, and that is usually a bad sign. Every television auteur, even the best, needs someone at his shoulder saying, ‘Nah, mate, won’t work.’ The lack of an independent voice can be disastrous and lead to Billy Bunter levels of self-indulgence.

All Watched Over by Machines of Loving Grace (BBC2, Monday) was the latest Adam Curtis film, named after a poem by Richard Brautigan. This imagines — ironically, I suppose — a situation in which humans return to a state of nature, with all our needs cared for by computers.

It was a typical Curtis film, resembling one of those dreams you sort of remember because you’ve just woken up. One image follows another without there necessarily being any connection. Strips of film, some in black and white, some speeded up, some in slow motion, are lingered over or disappear in an instant.

Comments

Join the debate for just $5 for 3 months

Be part of the conversation with other Spectator readers by getting your first three months for $5.

Already a subscriber? Log in