Adam Begley

In the grip of apocalypse angst

Dorian Lynskey lays out the many ways in which we have imagined the world ending – through pandemic, nuclear holocaust, climate change, asteroid impact or, most unnervingly, AI

[Getty Images] 
issue 06 April 2024

You have to love a book about the end of the world in which the first two references are to Saul Bellow’s Herzog and the HBO series The White Lotus, a high/low combo that preps us for authorial omniscience. In the next few paragraphs we get Marc Maron, Sally Rooney and Frank Kermode. Buckle up, kids, a cultural whirlwind is coming! The day of judgment is at hand, and the all-knowing Dorian Lynskey, who seems to have doomscrolled through every card catalogue on the planet, is just the person to provide live commentary. A capacious cultural history of ‘apocalyptic angst’, his Everything Must Go will make you happy to be alive and reading – until the lights go out.

In the mid-20th century it became clear that collective incineration and extinction could come at any time

For a catalogue of catastrophe from Aids to zombies, it’s tidy and well organised, like a corpse laid out by a fussy mortician.

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