Skulls, femurs, ribs, pelvises, piled on top of each other in a chaotic heap: this, Denise Inge discovered, was what she and her husband John were living on top of in their pretty house in Worcester Cathedral Close, into which they had recently moved when John became the diocesan bishop. The house is on top of a medieval charnel house that can be reached by opening a trap-door in the cellar. Inge opens her book with these words:
I live over dead men’s bones. Dead women’s, too, for all I know. Every day when I leave my house to escort my children to school, I walk over them.They insist on nothing, demand or require of me nothing except the admission, which I make seldom and reluctantly, that one day I shall join them in bare beauty, stripped even of flesh and sinews, disjointed, naked and alone.
It will happen to all of us, of course — as we seldom and reluctantly admit — but to Denise Inge it has already happened.
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