Sarah Crompton

In praise of understudies

Their importance has been elevated to new heights in the age of the pandemic

This is not All About Eve where an ambitious understudy plans to overthrow her heroine: Eve (Anne Baxter) and Margo (Bette Davis) in a showdown from Joseph L. Mankiewicz’s 1950 film. Credit: PictureLux/The Hollywood Archive/Alamy Stock Photo 
issue 08 January 2022

The actor Ronald Fraser was famous for two things: his comic timing and his liking for a drink. On one occasion in the 1960s, he was happily sitting three sheets to the wind in a local hostelry, when he remembered that he was supposed to be on stage at a matinee. After walking unsteadily to the theatre, he stood in the wings and heard someone else in his role: the understudy, holding the audience in the palm of his hand. His name was Donald Sutherland, and he was revealing the quality that took him from bit parts on the London stage to worldwide stardom.

The importance of understudies and covers has been elevated to new heights by the Covid pandemic. Leading men and ladies are dropping out the world over. On 23 December last year, in The Music Man on Broadway, the X-Men star Hugh Jackman made an unscheduled curtain call speech when he thanked Kathy Voytko who had stepped in when the leading lady, Sutton Foster, fell ill.

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