Graeme Thomson

In praise of the Festival Song – the four-minute wonder that can sustain a career for decades

At Connect Festival Primal Scream and Franz Ferdinand illustrated the strategic importance of the Festival Song

Bobby Gillespie was a curious focal point, exuded the aura of a dishevelled yet courtly ringleader: Primal Scream at Connect Festival 2023. Image: James Edmond / Shutterstock 
issue 23 September 2023

As the sun sets on another too-long summer festival season, let us take a moment to reflect on the Festival Song.

This is the one tune by a band that even the most reluctant festival attendee will know. It is the song producers stick on the TV highlights package for bored insomniacs surfing the red button. It can save a set, turn grey skies blue and get old bones shaking. The Festival Song survives the artist’s critical nadir; it is the musical cockroach that emerges unscathed from a commercial apocalypse. It is the cast-iron guarantee to every festival booker in the land that an act can still bring something to the party. 

The Festival Song is the musical cockroach that emerges unscathed from a commercial apocalypse

Not every artist has a Festival Song, but those who have been around the block and back again will, and they treasure it as they would a winning lotto ticket.

Comments

Join the debate for just $5 for 3 months

Be part of the conversation with other Spectator readers by getting your first three months for $5.

Already a subscriber? Log in