Choosing a concert opener is an art in its own right. Fashions shift: the traditional overture has fallen from favour in recent years, and you might go seasons now without hearing such one-time favourites as The Thieving Magpie or Euryanthe. The opening slot is more likely to contain something short and contemporary, or worthy and obscure (cynics call it ‘box-ticking repertoire’). Or it might be empty, tipping you straight into a symphony or concerto the way a Michelin-starred chef presents his signature creation – unadorned, on a bare white plate.
The Symphony Orchestra of India began its latest UK tour with John Williams’s ‘Imperial March’ from The Empire Strikes Back – and goodness alone knows why. Nothing wrong with playing film music in a symphonic concert, of course; more orchestras should do it. But such an ominous piece (it’s basically Darth Vader’s leitmotif)? Maybe it’s just something that the SOI and its guest conductor, Richard Farnes, enjoy playing together – a three-minute blast of Technicolor orchestration to get the fingers loosened up.
Comments
Join the debate for just $5 for 3 months
Be part of the conversation with other Spectator readers by getting your first three months for $5.
UNLOCK ACCESS Just $5 for 3 monthsAlready a subscriber? Log in