Marianne Gray

In love with Hamlet, Dylan, Keats . . .

Marianne Gray talks to Ben Whishaw about how he finds an affinity with the characters he plays

issue 31 October 2009

Ben Whishaw sits unrecognised, wearing a black T-shirt and drinking red wine in a dark corner of the Royal Court’s café. He has just come off stage from rehearsing Mike Bartlett’s new play Cock — in which he plays a chap who takes a break from his boyfriend and accidentally meets the girl of his dreams — and he’s still all buzzed up.

I had been warned that giving interviews isn’t Whishaw’s favourite occupation. But it certainly doesn’t show here. There’s no sulkiness or distractedness on his part. Perhaps his recent jaunt around the US, to promote his hotly tipped performance as John Keats in the film Bright Star, has acclimatised him to the rigours and demands of a celebrated life.

He leans towards me as I sit down, and says conspiratorially, ‘I think it’s important for an actor to remain surprising. It is very hard to watch an actor if you know too much about him.

Comments

Join the debate for just $5 for 3 months

Be part of the conversation with other Spectator readers by getting your first three months for $5.

Already a subscriber? Log in