Ivan Hewett

In defence of the tyrannical male maestro

A display of egoism and power from a conductor is often necessary for a good performance – hiring female conductors will not change a thing

Tyrannical maestri like Karajan knew that some music requires a show of power – which is why audiences loved them. Image: Sipa / Shutterstock 
issue 14 November 2020

Praising the grand old maestri of the podium isn’t a good look, as they say on Twitter. Conductors such as Herbert von Karajan, Leonard Bernstein and Georg Solti used to be lauded for the thrilling energy and sumptuous sound of their performances and recordings. These days if anyone mentions their names it’s only to list their crimes: tyrannising long-suffering orchestral players, commanding colossal fees, and in many cases looking on any female musician who comes within groping distance as fair game.

The second of these alleged crimes I’m not so sure about. Earning lots of money is only a sign of moral turpitude if the money was dishonestly obtained. But there was nothing immoral about the sky-high earnings of Karajan. He was the top earner at his record company DG for decades, and certainly warranted his private jet. However those other crimes are indeed crimes. Bullying orchestral players, as Arturo Toscanini famously did, is appalling, and must have caused a lot of suffering.

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