Last year, within the space of five weeks before Christmas, I lost two friends who had illumined the world for me and made it a more enlivening place. Both were artists, both were in their eighties and both were determined individualists who recognised each other’s work without being in any way close allies. John Craxton was the first to die, in hospital on 17 November after a short illness. Just over a month later, Craigie Aitchison dropped dead of a heart attack. I hope to write about Aitchison when some of his distinctive work on the theme of the Crucifixion is on show. This is a tribute to John Craxton.
An artist with a particular interest in the inhabited landscape, Craxton could summon up the spirit of place with a wit and ingenuity that left most painters of his generation standing. Aware from youth that there is no art without other art, he sought out essence rather than originality, but achieved an original vision by the depth of his understanding and interpretation.
Comments
Join the debate for just $5 for 3 months
Be part of the conversation with other Spectator readers by getting your first three months for $5.
UNLOCK ACCESS Just $5 for 3 monthsAlready a subscriber? Log in