Rod Liddle Rod Liddle

I’m very touched that Christine and the Queens has changed her name to Redcar

The latest from Héloîse Letissier (her born name) shows that she is very good at simple, naggingly catchy, woebegone synth pop

issue 10 December 2022

Grade: B+

We are all very touched, up here, that the esoteric French artist formerly known as Christine and the Queens has changed her name to Redcar, in honour of our once vibrant beachside steel town. Perhaps she was impressed by the newish ‘vertical pier’, or enjoyed a nutritious meal in the Light of Asia. Or, better still, maybe she is planning to adopt a whole bunch of East Cleveland nom de plumes and will next call herself Liverton Mines, or Boosebeck. She may, of course, just mean a red car.

Héloîse Letissier (her born name) is very good at simple, naggingly catchy, woebegone synth pop. The simpler the better – as with 2018’s wonderful ‘Five Dollars’ which once heard will never leave your head. She is much less good at ethereal electronic art-pop. This album, apparently spurred by a break-up, has just about enough of the former to keep you listening.

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