Lloyd Evans Lloyd Evans

If you want a play that brings girls into science, commission a man: Jina and the STEM Sisters reviewed

Plus: a weird, funny, gripping offering from the Orange Tree Theatre

A blatant act of propaganda: Ada Lovelace in Jina and the STEM sisters. Credit: Clive Barda 
issue 03 April 2021

Jina and the STEM Sisters is a blatant act of propaganda. And its intentions are excellent. This is a musical puppet show that sets out to encourage girls of eight and older to take up careers in science where women remain under-represented.

The heroine, Jina, is a schoolgirl who embarks on a hike through a dark forest haunted by ghosts and demons. It’s not clear to the viewer why she’s there or where she’s going. And she hasn’t a clue either. Perhaps the forest represents the world of intellectual repression she inhabits. ‘I ask a lot of questions,’ Jina tells us. ‘They say, “too many questions”.’

That’s an odd start. Do we live in a society that wags its finger at curious children? It’s hard to imagine a teacher or parent chastising a girl for being too inquisitive. And if the adults prevent her from investigating her world she can dodge their disapproval by using the internet.

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