Digby Warde-Aldam

If the idea of disturbing kraut-punk sung by a troll appeals, you’ll love The Fall

Digby Warde-Aldam is won over by a consummately psychotic Mark E. Smith at the Electric Brixton

[Getty Images / iStock] 
issue 04 October 2014

I had a fair idea of what I was in for when I went to see The Fall at Brixton’s Electric last Friday. They’re a middle-aged band from Manchester, just like the Stone Roses, or the various incarnations of New Order. In journalese, this almost makes them ‘Heritage Rock’.

I can’t remember when people started using this term, but it’s gone from the repertoire of niche music writing to being A Thing. You can’t go a week without some old beat combo or other announcing their re-formation, and in return they get a sort of protected status. Old rock music has become to the British what films about unfaithful middle-class couples are to the French. That is, culturally important but not very interesting.

The-Fall
Consummately psychotic: Mark E. Smith of The Fall

Thus you know roughly what to expect from the average heritage rock gig: a lot of merchandise and much shared nostalgia.

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