It’s a hot and crowded afternoon in Manhattan. Martin Amis is in the New York Public Library, relaxing on a small purple sofa. He’s tired, but he takes the time to answer a few questions about his new novel Lionel Asbo about poetry, porn and modern Britain.
Spectator: You grew up in 1960s Britain with all that rebellious rock ’n’ roll culture, but your father, Kingsley Amis, was part of the establishment and knighted to boot. How did you reconcile those worlds?
Amis: I was never a rebel. I mean not in my life, in my writing a bit, perhaps. My father was a communist when he was young. And by the time I was a teenager, he was an anti-communist. So there was no question of being very left-wing. I had very left-wing friends, who were revolutionaries and were busy in Paris in 1968 turning cars upside down and throwing Molotov cocktails. But I used to think of myself as completely apolitical. I think I’m more political now than I used to be. I was just interested in literature, not in politics.
Well, let’s talk about literature, then. At what point do you realise that you have a novel springing to life?
It’s a fascinating question. It’s all decided in a moment, I think. You get a funny feeling, you see something or read something and almost at once you get a kind of throb, which goes through you — a shiver. And you think: this is a novel I can write. You don’t know much about it, but you know how you’re going to begin, perhaps. It’s a situation, it’s a setting, but it’s deeply mysterious. The whole process is deeply mysterious.
Why do you get so much media attention?
Well, I naively think it’s all to do with my father, because he was a well-known writer… I’m like Prince Charles! Everyone thinks there’s no reason why he’s there, he just inherited it.

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