Martin Gayford

‘I think I’ve found a real paradise’: David Hockney interviewed

Martin Gayford talks to Britain's greatest living painter about life under quarantine in the Norman countryside, how an iPad is better than paint and brush, and why he's not a communist

‘On the iPad I can catch the light very quickly — much faster than watercolour’: David Hockney’s latest spring portrait ‘No. 125’ 
issue 25 April 2020

Spring has not been cancelled. Neither have the arts ceased to function. David Hockney’s marvellous exhibition at the National Portrait Gallery may be sadly shut, but the artist himself is firing on all cylinders.

‘I was just drawing on this thing I’m talking to you on,’ he announced when I spoke to him via FaceTime the other day. He was sitting in the sunshine outside his half-timbered farmhouse in Normandy.

‘We’re very busy here,’ Hockney explained, ‘because all the blossom is just coming out, and there’s a lot more to come. The big cherry tree looks glorious right now. Next the leaves will open, but at the moment the blossom is ravishing. The apple trees haven’t started yet!’ Obviously he has a packed schedule ahead.

This way of life, though isolated, is not the result of the lockdown. Hockney had always planned to spend long months in the French countryside, just drawing and painting.

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