There’s a scene in Lord of the Flies, William Golding’s masterpiece about the collapse of western civilisation, in which a particularly sadistic boy named Roger starts to throw stones at a weaker, younger lad called Henry. Yet when he tries to hurt the boy, he finds he cannot do it. ‘Roger gathered a handful of stones and began to throw them,’ writes Golding. ‘Yet there was a space round Henry, perhaps six yards in diameter, into which he dare not throw. Here, invisible yet strong, was the taboo of the old life.’
Golding attributes this six-yard forcefield to civilisation. It’s the legacy of the various authorities Roger has been conditioned to respect — parents, school, policemen, the law, etc. And as anyone who’s read the book will know, eventually this protective barrier collapses. The theme of Lord of the Flies is that the savage constrained by the rules of civilised society is never far from the surface.
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