Deborah Ross

I may never recover: Sisu reviewed

This hyper-violent second world war Finnish exploitation film is clever in a simplistic, empty way

Grizzled, grimy, dirt-etched Jorma Tommila as one-man army Aatami in Sisu. Credit: Sony Pictures Releasing  
issue 27 May 2023

When I went into the Sisu screening I knew only that it was a Finnish film, so was expecting an arthouse drama, maybe featuring bearded men in nice fisherman knits and herrings being salted, rather than this hyper-violent, viciously bloody exploitation flick from which I may never recover. It is a swift 90 minutes and will please those who desire this experience, and it is clever in its simplistic, empty way. But if it’s not your genre, you will almost certainly find yourself praying: ‘Dear God, I’ll never tell another lie if you just make this end.’

The film begins with a title card saying that ‘Sisu’ is a Finnish world that can’t be translated. It then says that ‘it means a white-knuckled form of courage and unimaginable determination’, so I’d say it can, but I’m not getting into a fight about it with any of these people, as they may drive a large blade through my skull or crush my torso under a tank tread.

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