Claudia Massie

‘I love twigs’: botanical painter Emma Tennant interviewed

Celebrating her 80th birthday, the artist explains the therapeutic inspiration for her latest show of watercolours

We meet the apricot again, later in the year, with its soft, buttocky fruit begging to be plucked: ‘Prunus armeniaca – Apricot Fruit’, 2021, by Emma Tennant 
issue 13 May 2023

Hermitage, where the heel of Roxburghshire kicks into the once-lawless Debatable Lands, seems an unlikely place to find a botanical artist. It’s hard to make anything grow here, let alone an exhibition-load of rare and sometimes exotic plants. Lorded over by Hermitage Castle, a menacing hulk of medieval brutalism described by George MacDonald Fraser as ‘shouting “sod off” in stone’, this is a remote, rarely visited stretch of the border. Once the playground of reivers, and the graveyard of their victims, today it’s a land of sheep farming, forestry plantations and cruel May frosts. But there, hunkered against the wind in the foot of the Hermitage valley, is the studio of Emma Tennant, who has lived, farmed and painted here for more than 50 years. She is the daughter of Deborah Mitford and Andrew Cavendish, 11th Duke of Devonshire, but I suspect she might prefer to be acknowledged first and foremost as one of Britain’s leading botanical painters.

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