I feel sorry for those stupid enough to believe that ballet is racist or transphobic

Sick though one may be of the way that the poison dart of ‘woke’ is lazily flung at what is a real and complex set of problems, I fear that it’s deservedly winging its way towards Leeds’s Northern School of Contemporary Dance. Last month it announced that it would no longer require a competence in ballet for its auditions on the grounds that it is ‘an essentially elitist form’ built around ‘white European ideas and body shapes that are often alienating’. Stifle your groans for a moment, and let me unwrap this and offer some context.

First of all, it is not uncommon for schools specialising in contemporary dance to make ballet class optional. There are several other respectable and effective systems of technique – Martha Graham, Laban, jazz and tap, for example – that follow principles eschewing the turned-out feet and concepts of graceful line on which ballet is grounded.

But by common consent a ballet class offers the most rigorous and empowering training to which a dancer can aspire.