James Delingpole James Delingpole

I could have directed it better: Steve McQueen’s Small Axe reviewed

If McQueen were anywhere near as good as his inflated reputation, this ought to have been TV drama gold

Frank Crichlow (Shaun Parkes), Altheia Jones-LeCointe (Letitia Wright), Darcus Howe (Malachi Kirby) and Barbara Beese (Rochenda Sandall) in Steve McQueen’s drama series Small Axe. Credit: BBC / McQueen Limited / Des Willie 
issue 28 November 2020

Unlike with every other BBC period drama series these days, I didn’t have to sit through Small Axe: Mangrove grumbling about the implausible and anachronistic diversity casting. Mangrove was the West Indian-owned restaurant in Notting Hill which, in 1970, became the subject for a landmark Old Bailey trial involving nine of its habitués on trumped-up charges of riot and affray.

Though it gets much better once we’re actually in court, the first hour’s build-up is awfully slow. I fear writer/director Steve McQueen is to blame. He has an artist’s eye for the visual side of things: the look and feel of late-1960s west London — just as the Westway overpass was being built and W10/W11 still looked more like a bombsite than London’s most bijou postcode — are well captured. I was going to say ‘lovingly’ but ‘punctiliously’ is probably a better word for a director who doesn’t seem terribly comfortable with warmth, humour or emotion.

It really is life-affirming to see a stuffy Establishment get its comeuppance at the hands of ragamuffin mavericks

Take his portrait of the Mangrove restaurant’s Trinidadian-born proprietor, Frank Crichlow.

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