Palm Sunday in Perugia. Umbrians were scuttling around with twigs and leaves, but I was in town to celebrate another faith. It was the annual International Journalism Festival, which hasn’t been ‘annual’ for the past two years due to Covid. Happy reunions were applauded with the sound of countless clinking glasses, but the mood was often mournful. In the first panel I was on, the moderator, Natalia Antelava, asked for a moment of silence for the 18 journalists already killed in Ukraine. Among them was Oksana Baulina, a former colleague of Natalia’s at Coda Story news platform, where I am also a contributing editor. Oksana was Russian. She had previously worked with the anti-corruption investigation unit of Alexey Navalny, the opposition politician Putin has locked up in a labour camp. At Coda she made films about the legacy of Stalin’s gulag and how Russia has never come to terms with its history of state-organised mass murder.
Peter Pomerantsev
I can feel my heart hardening as the war goes on
![](https://www.spectator.co.uk/wp-content/uploads/2022/04/heath_pomerantsev_2.jpg?w=730)
issue 16 April 2022
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