Deborah Ross

Humourless and stale: The Batman reviewed

Will the Batman reboots ever end?

The darkest hour: Zoë Kravitz as Catwoman and Robert Pattinson as Batman in the perpetually miserable Gotham City. Credit: Jonathan Olley/™ & © DC Comics 
issue 05 March 2022

The latest Batman film, The Batman, may be a reboot, or even a reboot of a rebooted reboot that’s been rebooted. Hard to tell any more. Tracey Ullman once joked that her mother had served leftovers for so long that no one could recall the original dish and this feels like that. What was the original dish? Was it Tim Burton’s version from 1989 starring Michael Keaton? I don’t know.

All I know is that you hope each time for something fresh and surprising and entertaining but every film since has simply attempted to out-film noir the last. We can go darker still! Bruce Wayne, more traumatised by his childhood than ever before! I should also warn you that it’s three hours long having been cut down from four. (Holy cow, Batman!) You can criticise this film for its lack of new ideas or the jackhammer cutting-style – hang on, how did Batman suddenly get from here to there? – but you can’t say that it doesn’t take itself seriously.

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