To most people Christopher Plummer means Captain von Trapp in The Sound of Music. Plummer would not be in the least ashamed by this. A year or so ago he found himself forced to watch the film at a children’s Easter party:
The more I watched, the more I realised what a terrific movie it is. The very best of its genre — warm, touching, joyous and absolutely timeless. Here was I, cynical old sod that I am, being totally seduced by the damn thing — and, what’s more, I felt a sudden surge of pride that I’d been a part of it.
It is an odd book, though. The production is calamitous: some of the illustrations are blurred to the point of mystery; unforgivably, there is no index; if an editor has been anywhere near the text there is no evidence of his existence. Trivial inaccuracies abound. Most pages have a phrase or two in French, put in for no apparent reason except, presumably, to demonstrate the author’s mastery of that language.
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