Barnaby Rogerson

How the Houthis wage war through poetry

It is through verse that the Houthi regime asserts its legitimacy, confounds its enemies and rallies its supporters

The zamil oral tradition speaks not of emirs, but sits the listener with the farmers and shepherds of the Yemeni highlands. Tuul & Bruno Morandi  
issue 03 February 2024

Poetry is politics in the Yemen. When the last Imam of Yemen, who was also the hereditary ruler, was deposed in a coup in 1962, it was a local poet who announced the change of regime on the radio, in verse of course. And the current al-Houthi regime in the north of the country, like all its predecessors, asserts its legitimacy, confounds its enemies and rallies its supporters through poetry.

As an aspect of their cause, they have consciously avoided high-Arabic poetry – a literate, urban cultural form – and have made use of the zamil tradition, which immediately speaks not of the palaces of emirs and princes, but takes the listener to sit beside the farmers and Bedouin shepherds in the villages and hills.

Zamil poetry shapes the great events of life – from weddings to war

Zamil oral poetry is, under a variety of names, an Arabia-wide practice. Banish any memories you might have of poetry recitals here – the small gathering of shy writers reading myopically from their slim volumes.

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