How the Germans made Glyndebourne

This is hardly the time of year for picnics on the lawn, but I have nevertheless had a week dominated by Glyndebourne. First I went to London to see David Hare’s play The Moderate Soprano, about the creation of the Glyndebourne opera festival by John Christie in 1934; and then to a Glyndebourne production in Milton Keynes of Mozart’s opera Die Entführung aus dem Serail.

John Christie was an extraordinary man. A rich country landowner, who served bravely in the first world war, he returned home to his house in Sussex to pursue his interest in music. He purchased a colossal organ, perhaps the biggest in England outside a cathedral. He put on little opera performances in the organ room. And then, at the age of 48, having reputedly been celibate until then, he married a Canadian opera singer called Audrey Mildmay, the ‘moderate soprano’ of the play’s title.