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I have become rather obsessed with Martin Bashir and his downfall. Three years ago, I began researching for a play based around his infamous 1995 Panorama interview with Diana, Princess of Wales, which he secured by forging bank statements and reinforcing her belief that there was an Establishment conspiracy against her. When I started writing I thought I would soon understand him. But he still baffles me. When we corresponded recently via email, he suggested playing himself on stage or, failing that, what about Idris Elba? I couldn’t tell if he was joking.
I knew Bashir pretty well back in the day. We were fellow reporters at the BBC and ITV for 13 years. He even joined my covers band Surf’n’Turf on percussion, and very good he was too. He was a world-class flatterer, forever telling people how brilliant they were and how it was his life’s ambition to work with them.
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