Collectors of TV titles that sound as if they were thought of by Alan Partridge will presumably have spotted Danny Dyer on Harold Pinter. As Dyer himself understatedly put it: ‘This might seem an unlikely pairing: the likely lad and the Nobel Prize winner.’ Yet, what made the programme such an intriguing if undeniably peculiar watch is that the pairing in question wasn’t dreamed up by a desperate (or drunk) commissioning editor.
In 2000, aged 22, Dyer auditioned for Pinter’s Celebration at the Almeida Theatre in Islington. ‘I knew the money would be rubbish,’ he told us, ‘so I didn’t care much.’ Nor, unlike his rivals, did he really know who Pinter was. When the moment came, he looked down into the stalls, enquired of the great man ‘How are you doing, son?’ and wholeheartedly went for it. (‘I was fearless then,’ he recalled ruefully.)
And with that, he not only got the part — and retained it through the West End and Broadway — but, to his continuing and rather touching bewilderment, found himself being taken under Pinter’s wing.
Comments
Join the debate for just $5 for 3 months
Be part of the conversation with other Spectator readers by getting your first three months for $5.
UNLOCK ACCESS Just $5 for 3 monthsAlready a subscriber? Log in