James Walton

How on earth did Harold Pinter and Danny Dyer become such good friends?

Plus: comedy, piercing sadness and thoughtful reflection in BBC1’s adaptation of David Nicholls's Us

Danny Dyer at Harold Pinter's grave. Image: Andrew Muggleton / © BBC Studios Productions Limited 
issue 26 September 2020

Collectors of TV titles that sound as if they were thought of by Alan Partridge will presumably have spotted Danny Dyer on Harold Pinter. As Dyer himself understatedly put it: ‘This might seem an unlikely pairing: the likely lad and the Nobel Prize winner.’ Yet, what made the programme such an intriguing if undeniably peculiar watch is that the pairing in question wasn’t dreamed up by a desperate (or drunk) commissioning editor.

In 2000, aged 22, Dyer auditioned for Pinter’s Celebration at the Almeida Theatre in Islington. ‘I knew the money would be rubbish,’ he told us, ‘so I didn’t care much.’ Nor, unlike his rivals, did he really know who Pinter was. When the moment came, he looked down into the stalls, enquired of the great man ‘How are you doing, son?’ and wholeheartedly went for it. (‘I was fearless then,’ he recalled ruefully.)

Given that Pinter is not generally known for such rascibility, this did feel like a new perspective on him

And with that, he not only got the part — and retained it through the West End and Broadway — but, to his continuing and rather touching bewilderment, found himself being taken under Pinter’s wing.

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