Sam Leith Sam Leith

How Noddy and Big Ears conquered the world

Enid Blyton not only knew what children wanted: she was a one-woman marketing genius, says Andrew Maunder

[Alamy] 
issue 11 December 2021

Perhaps the funniest of the many funny jokes in Sue Townsend’s The Secret Diary of Adrian Mole, Aged 13¾ is its protagonist’s struggle with Enid Blyton. Having turned the corner into adolescence, Adrian is mortified by the Blyton characters on the wallpaper in his childhood bedroom and sets about repainting the room in black, the better to represent his turbulent soul. And yet, though he slaps on coat after coat of black paint, the shiny yellow bells on Noddy’s cap continue to show through. He’s reduced to colouring them in one by one. (‘Went over hat bells with black felt-tip pen, did 69 tonight, only 124 to go.’)

Adrian Mole wasn’t the only critic ever to have wanted to paint Blyton out of existence; nor the only to have been frustrated by the determination of those bells to shine through. She is and was, undeniably, a phenomenon in publishing: by 2019 she was reckoned to have sold 600 million books.

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