Lloyd Evans Lloyd Evans

How Facebook became a freedom-gobbling corporate monster

Plus: the Young Vic unearth an antique curiosity in collaboration with the RSC

Francesca Forristal and Jordan Paul Clarke in Southwark Playhouse's zingy new musical about social media Public Domain. Image: The Other Richard 
issue 30 January 2021

Southwark Playhouse is beating the latest lockdown with a zingy new musical about social media. The performers, Francesca Forristal and Jordan Paul Clarke, remember the far-off days when Facebook was just a harmless supplement to ordinary social interactions. How did it turn into a freedom-gobbling corporate monster?

We meet the Zuckerbergs, Mark and Priscilla, as they usher a TV crew into their mansion like a pair of politburo bigwigs showing tourists around a glue factory in North Korea. The down-to-earth billionaires offer bland answers to scripted questions. ‘How do you raise children when you can give them anything?’ Mark reveals that the mini-Zuckerbergs are treated like normal kids. ‘But, guys,’ asks the interviewer, ‘how do you not bring work home?’ Priscilla pipes up robotically: ‘No work talk on date night. Mark’s idea.’

The show moves to the congressional hearings in 2018 when Zuckerberg admitted that he employs 1,500 censors to filter out the most horrific footage of stabbings and suicides.

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