Laura Gascoigne

How crazy was Louis Wain?

The 1960s generation claimed the artist as a proto-freak for his psychedelic cats that looked like they were bombed out of their tiny minds

‘Three White Cats and Tub’ (left) and ‘Tabby Toboggan Club’ (right) and by Louis Wain 
issue 18 December 2021

Before Tom Kitten, before Felix the Cat, before Thomas ‘Tom’ Cat, Sylvester James Pussycat Sr, Top Cat and Fat Freddy’s Cat, there were the cats of Louis Wain.

The Wain cat came in a variety of breeds and colours: black and white, tabby, marmalade, white and blue (sky blue rather than Persian). But it always had the same disconcerting look in its wide, glassy eyes with the dilated pupils. It looked bombed out of its tiny mind.

The original Wain cat was a black-and-white kitten called Peter belonging to a young late-Victorian magazine illustrator and his sick wife. In 1884 the 24-year-old Louis Wain had married his sisters’ governess, Emily Richardson, only for his new wife to fall ill with breast cancer. To amuse the invalid her loving husband took to drawing sketches of Peter in comical poses, which she encouraged him to show to his editors. In December 1886 a commission duly came from Sir William Ingram, owner of the Illustrated London News, for a double-page drawing of ‘A Kittens’ Christmas Party’.

Comments

Join the debate for just $5 for 3 months

Be part of the conversation with other Spectator readers by getting your first three months for $5.

Already a subscriber? Log in