Does a practical joke differ from a hoax? It could be a matter of scale. Anyone can deploy a whoopee cushion, but it takes rather more — as Virginia Woolf and others did, long before Ali G — to kit oneself out as Abyssinian royalty for a 1910 state visit by train to the deck of a dreadnought in Weymouth harbour. There was nothing in it for them, but that hoax brought questions in the Commons. Monetary gain, as with the Hitler Diaries, certainly sours claims for hoaxes as a pure art form.
Where does this leave the humble,twentysomething mother-of-three Mary Toft, and those around her? The question is raised by Karen Harvey’s brief but amply detailed study of a woman who, in 1726, brought the Surrey market town of Godalming publicity it had not known before. Her story occasioned numerous contemporary publications, several unflinching engravings by Hogarth, a ballad by Alexander Pope and even aroused the curiosity of George I.
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