Home is where the art is | 8 February 2018

When I first visited Kettle’s Yard, Cambridge, I was shown around by Jim Ede, its founder and creator. This wasn’t an unusual event in the 1970s. I was an undergraduate, and in those days Ede — elderly, elegant and almost translucently ascetic — showed round anyone who rang his doorbell. It was rather as if Henry Clay Frick had given you a tour of his pied-à-terre on Fifth Avenue, or Sir Richard Wallace walked you through his collection. Except, of course, that they wouldn’t have done that — and Kettle’s Yard, as Ede (1895–1990) mused in a conversation with the artist John Goto, isn’t really a collection, ‘it’s a number of things perhaps’.

In fact, it is much more than just a collection. Kettle’s Yard, Cambridge — which reopens this week after an £11 million extension and refurbishment — is a unique combination of house, art gallery and what might now be called ‘installation’.