One day in May 1948 in the Frascati hills southeast of Rome, Orson Welles took his new secretary, Rita Ribolla, to lunch. After eating enough food for ‘a dozen hungry people’ and sinking ‘one glass of wine after another’, all the while enchanting his guest with gossip and conjuring tricks, Welles downed his coffee and said it was time to go. Ribolla smiled and waited for him to get the bill. And waited. Eventually she asked for it herself. When it arrived Welles passed it over, saying, ‘Leave a large tip for these nice waiters.’ ‘But Mr Welles, I can’t afford meals like this.’ Welles turned sulphurous: ‘How dare you go out with me with not enough money?’, he said as he stormed out. ‘It’s OK lady,’ a waiter comforted the weeping Ribolla. The owner ‘knows the signore well’. Men like him are ‘too involved with creating to be bothered by such minor matters as paying’.
Christopher Bray
Homage to awesome Welles on his centenary
Both Patrick McGilligan and Simon Callow sympathetically capture the larger-than-life maverick who detested appearing in any film that wasn’t his own
issue 12 December 2015
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