Hit every auditory G-spot simultaneously: CBSO/Hough/Gardner concert reviewed

Rejoice: live music is back. Or at least, live music with a live audience, which, as Sir Simon Rattle admitted, addressing the masked and socially distanced crowd immediately before the LSO’s first full-scale public performance for 14 months, is kind of the whole point. Yes, he said, they’d streamed online concerts from the Barbican, but the silence of emptiness is a very different proposition from the silence of a hall containing 1,000 human beings. He’s right, of course. Those 14 months have tested to destruction the notion that digital platforms can offer the same sort of emotional nourishment. Once again, then — rejoice! And nobody mention the Indian variant.

For a sector that likes to think of itself as sceptical, the big classical promoters certainly appear to be going all-in. Within the next fortnight most major orchestras will have launched a stop-gap concert series, and many are also planning for a business-as-usual 2021-22 season after the summer.