David Blackburn

History that’s crying out to be written

It was an abiding moment of the Arab Spring. As Colonel Gaddafi’s mauled corpse was paraded through the streets of Sirte, al-Jazeera cut to what it described as ‘wild street celebrations in Tripoli’. The screen showed a dusty compound, with three blokes lolling around a burned-out car, diffidently firing pistols into the air; a stray dog entered stage right, sloped-off towards the car and then disappeared from view. Chris Morris could not have surpassed the sequence; it was beyond parody.

The memory of this scene re-entered my mind yesterday evening, when I visited Sky News’ ‘A Year on the Frontline’ exhibition at Somerset House. No one would doubt the bravery of the correspondents and their teams; but, as I saw each still photograph and watched each report, I felt that I was being subtly manipulated.

Archive material has been presented as an authority on past events, not just an eyewitness to them.

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