One fail-safe test of a writer’s reputation is to see how many times his or her books get taken out of the London Library. Here, alas, John Lodwick (1916–1959) scores particularly badly. If The Butterfly Net (‘filled with a lot of booksy talk and worldly philosophising,’ Angus Wilson pronounced in 1954) has run to all of five borrowers in the last five years, then The Starless Night (1955) seems not to have left the shelves since 1991. All this suggests that the title of Geoffrey Elliott’s valiant attempt to reconstruct Lodwick’s lost, vagrant and sometimes violent life is painfully accurate.
Why should this writer, who published nearly a score of well-regarded novels before dying in a Spanish road accident, have fallen so irretrievably off the map? It was Cyril Connolly who remarked that those whom the gods wish to destroy they first endow with promise; and the sparkle of The Cradle of Neptune (1951), an account of a deeply unhappy apprenticeship at Dartmouth Naval College, was there for all to see.
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