Matthew Walther

Hillary Clinton’s autobiography seems destined to join her husband’s – in a bin marked ‘Free’

A review of Hard Choices: A Memoir, by Hillary Rodham Clinton. The endless clichés and pseudo-details make her sound more reptilian than she probably is

[Getty Images] 
issue 21 June 2014

Last year a Washington-based journalist called Mark Leibovich wrote This Town, a book whose thesis was, roughly, that Washington-based journalists are terrible people. Leibovich’s book exemplified a trend among self-described Beltway insiders who decry as venial and insipid the trivialities they spend their lives reporting.

Sounds a bit precious, I know, not to mention suicidal. But it’s supposed to be waggish and endearing and ironical. The latest victim of this coprophagic tendency is Hard Choices, Hillary Clinton’s third book. Barely a week after its publication, with over a million copies in print, it has already been written off by the hacks who spent months doing potted F.R. Leavis numbers on the title and dust-jacket, microanalysing every sentence in the excerpts and leaked chapters carefully spooned out by the Clinton mafia.

Oh, well. Someone has to review it. It’s a book, after all, and in the months and years to come we will grow accustomed to seeing its grey bulk, first in airport newsagents, then in public libraries, and finally in second-hand bookshops, like the one in which I found my (signed) copy of Bill Clinton’s autobiography — in a bin marked ‘Free’.

Comments

Join the debate for just $5 for 3 months

Be part of the conversation with other Spectator readers by getting your first three months for $5.

Already a subscriber? Log in