One evening in 1923, Edward, Prince of Wales, pretty as paint in his white tie and a cutaway-coat, went to the theatre to see a new Gershwin musical. It was called Stop Flirting. Always one to ignore instructions, the Prince returned to enjoy this froth no less than nine times more. Obsessed by anything and eventually, disastrously, anyone American, the heir to the throne was fanatical about the new-fangled craze then being displayed at the Shaftesbury Theatre by a dazzling young brother-and-sister act hot-foot from Broadway: ballroom dancing.
Practising the charleston and the black bottom rather than studying charters and red boxes occupied the heir to the throne’s days, to the intense irritation of his father. Edward ‘continues to dance every night. People will think he’s mad … or a bounder’, George V fumed to the Queen, adding laconically, ‘Such a pity.’ In the meantime, with friends like the Mountbattens or Thelma Vanderbilt, his son would foxtrot and quickstep in one or other of the newly fashionable nightclubs — the Embassy, Kit-Kat, Riviera or Ciro’s — till the waiters piled up the chairs.
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