Christopher Fletcher

Here, Mr Gove, is the thrill of raw, unvarnished history

Our unrelenting appetite for historical drama is fed by a ceaseless stream of novels and dramatisations – usually, these days, something to do with those naughty Tudors. Perhaps it is how my generation, dosed on pick n’ mix modules and special options (Industrial Revolution or Origins of WW1 anyone?), recovers lost ground. But it is unmediated history taken straight from the page that gives the real jolt. I recently acquired for the Bodleian a journal kept from 1813-1818 by the engraver and antiquary James Basire (1769-1822). His father was the more famous artist, closely associated with William Blake.  Nevertheless, the journal seemed worth having for all the right academic reasons. It would complement those of our collections relating to the history of printing techniques; add factual detail to the biography of a noteworthy if obscure figure; and expand the library’s roll call of antiquaries and artists who had depicted the city of Oxford.

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