James Delingpole James Delingpole

Heist drama with a novelty spin that isn’t very novel: Netflix’s Kaleidoscope reviewed

Experimental author B.S. Johnson got here 54 years earlier with his 1969 novel-in-a-box

A liability from the moment you meet him: Jai Courtney as Bob Goodwin in Kaleidoscope. Credit: Courtesy of Netflix © 2022 
issue 21 January 2023

Kaleidoscope is a fairly routine eight-part heist drama with a supposed novelty spin: apart from the beginning and the end, you can view the episodes in any order, meaning that each viewer has a slightly different experience.

If I sound mildly sceptical, it’s because the novelty isn’t actually that novel. B.S. Johnson got there 54 years earlier with his 1969 novel-in-a-box The Unfortunates, an account of a football match in which the chapters were loose bound so that they could be shuffled and read in whatever order you wished. A few years ago, I bought a rare first edition from Simon Finch which I thought would become very valuable but hasn’t because price is subject to demand and frankly there isn’t much demand for experimental 1960s novelists of whom hardly anyone has heard.

I love B.S. Johnson and highly recommend his book, not just for the meandering charm of his writing but for the tactile pleasure and amusement value of his literary jeu d’esprit.

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