When the late, great Ronald Searle and Geoffrey Willans conspired to create St Trinian’s and Nigel Molesworth, the archetypal English prep school boy, they wanted to evoke an air of -austere, post-war gloom.
Molesworth’s school, St Custard’s, was, in his own words, ‘built by a madman in 1836’. For both St Custard’s and St Trinian’s, Searle plumped for a grim, early Gothic Revival style, all inky, glowering crockets and pinnacles. His choice of Gothic was inspired by his wartime service when he was stationed in Kirkcudbright in 1940. There he met two schoolgirls, evacuated from a school called St Trinnean’s, Edinburgh, an OTT exercise in high Scottish Gothic. ‘I prefer Renaissance architecture, but the gloom of Gothic suited my work better,’ said Searle, ‘I misspelt it by accident — St Trinnean was an ancient saint — and it stuck.’
Austere gloom was certainly still the prevailing mood in my school days in the 1970s and 1980s.
Harry Mount
Hard times | 4 September 2014
Why are the greatest schools in literature so steeped in Gothic severity? By <em>Harry Mount</em>
issue 06 September 2014
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