It was 9.45 p.m. and yellow light beamed from the church windows into the rainy night. As I opened the door the last bars of the ‘Hallelujah Chorus’ reverberated from the chancel. This was a rehearsal by the London Docklands Singers.
‘Everyone knows the “Hallelujah Chorus”,’ said the conductor, Andrew Campling. ‘It’s in the DNA of the public.’ In his 33 years’ conducting he has put on Handel’s Messiah ten or 12 times.
He can’t help laughing at the judgment of the librettist of Messiah, Charles Jennens, who in 1743 wrote of Handel in a letter: ‘His Messiah has disappointed me, being set in great haste, tho’ he said he would be a year about it, & make it the best of his Compositions. I shall put no more Sacred Words into his hands, to be thus abus’d.’
Handel made a few revisions, and the two men soon worked together again (on the oratorio Belshazzar).
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