The Finborough’s new show is a love story with the male partner absent. Two women, one Irish and one American, explain their feelings for a London businessman, aged 45, who seems to be connected with the fashion trade. The women, known as ‘I’ and ‘A’, have different functions. ‘I’ is a young Irish model and ‘A’ is the absent man’s co-worker. Both are besotted with him for obscure reasons. We know nothing about him except that he visits east London every Sunday to devour his parents’ roast dinner. ‘A’ attends these meals but ‘I’ is excluded so she texts him snaps of her boobs instead. The women aren’t remotely troubled by his cold, exploitative attitude. He uses ‘A’ for friendship and ‘I’ for sex. As soon as their affair begins he tries to demolish her ego. He tells ‘I’ that she lacks the confidence to ‘rock the red carpet in high heels’.
Lloyd Evans
Grotesquely plodding: Late Night Staring At High Res Pixels reviewed
Plus: a one-man show aimed at experts in linguistic philosophy
issue 13 March 2021
Comments
Join the debate for just $5 for 3 months
Be part of the conversation with other Spectator readers by getting your first three months for $5.
UNLOCK ACCESS Just $5 for 3 monthsAlready a subscriber? Log in