Andrew Lambirth on the splendour of the Canaletto exhibition at the Queen’s Gallery
Magnet for tourists as it is, Buckingham Palace is the perfect setting for Canaletto in Venice, an exhibition devoted to the grandest producer of tourist art of the 18th century focusing exclusively on a city which had already become one of the world’s leading tourist destinations. Giovanni Antonio Canal (1697–1768) was known as Canaletto to distinguish him from his father, a successful painter of theatrical scenery. Young Giovanni trained in Venice in the family business, before branching out on his own in the early 1720s and painting views of Venice for the rich nobles undertaking the Grand Tour. As artists usually do, he needed an agent to promote and sell his work, and who better than Joseph Smith (c.1674–1770), merchant banker, book dealer and publisher? Smith was a noted collector whose palazzo was an established port of call for Grand Tourists.
Comments
Join the debate for just $5 for 3 months
Be part of the conversation with other Spectator readers by getting your first three months for $5.
UNLOCK ACCESS Just $5 for 3 monthsAlready a subscriber? Log in