Andrew Taylor

Gore blimey

Gore Vidal’s deservedly forgotten pulp thriller, now resurrected after 60 years, is so bad it’s good

Gore Vidal (Photo: Getty) 
issue 25 April 2015

Gore Vidal has form as a crime writer. In the early 1950s, when his sympathetic literary treatment of homosexuality had brought him into critical disfavour, he turned to writing sprightly detective fiction under the name of Edgar Box. It’s much less well-known that he also took a dip in the far murkier waters of the pulp thriller.

Thieves Fall Out, originally published in 1953 and then deservedly forgotten, centres on Pete Wells, ex-wildcatter and former war hero, who turns up in King Farouk’s Egypt for no very good reason. Mugged in a Cairo brothel, he’s forced to look for work. Naturally he goes to Shepheard’s hotel (‘where the biggest operators lived’). Sure enough, he’s instantly recruited by a sinister Englishman named Hastings, perhaps Hercule Poirot’s friend gone to the bad. Hastings has a partner, the sort of sexy French pseudo-countess who always turns out to be bad news.

Pete isn’t fooled for a moment.

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