Good noisy fun: black midi, at the Edinburgh International Festival, reviewed

This year we must love Edinburgh for her soul rather than her looks. The EIF should be commended for making the best of a tricky hand, but the lodgings for its music programme bring to mind a fallen society beauty forced from her New Town villa into a rented bedsit. Edinburgh Park is a cathedral-sized tent in a business park, wedged between the city bypass and a shopping mall. The wooden floor planks buck and roll like a galleon deck. There is a roof but no sides and the Covid-quelling ventilation is, shall we say, robust. So yes, forget the optics. In 2021, content is everything.

As it transpires, it proved a fitting spot in which to experience three artists engaged in similar quests to remould the traditional and familiar. Orcadian composer Erland Cooper was my first taste of live music since March last year — no pressure — and he provided a gentle reintroduction, one in which the interplay between past and present was helpfully semaphored.